One glance at this design will confirm that all our design experience and knowledge has been distilled into one amazingly capable console!
Uniquely at this level, GL2800 is equipped with 10 auxiliary sends - including a dedicated stereo aux - and using the 12x4 matrix, provides the ideal solution for IEM and stereo recording. 8 audio groups and L,R and M busses are also provided, allowing for full dual functionality with 10 mixes with faders, inserts and XLR drive.
And at the heart of this design is the new gain structure allowing a whopping 34dBu maximum input capability and a new ultra-quiet mix head amp section, delivering excellent audio performance. GL2800 is designed for use in any live sound application, including theatres, music venues, churches, festivals, corporate AV, stadiums, etc. Allen and Heath GL2800-32 Mixer - 32 Channel boasts neat, intuitive layout and straightforward analogue technology, clean audio and high dynamic range. Mixer lights sold separately.
32 Channels LR and M mix buses 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 dual stereos provide an extra 4 summed or independent stereo returns Fully featured 12x4 Matrix Proper dual functionality for FOH/Monitor mixing Recording capable with channel direct outputs M can be used for LR mono sum engineers wedge or centre/sub mix Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs 1kHz oscillator / pink noise generator with external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses external linear power supply Built-in combiner for redundant backup supply Metal jacks gold-plated XLRs sealed pots and switches Individual circuit card assembly with nutted pots Solid copper bus bar grounding Sys-Link V2 console linking option 4-pin lamp sockets